San Francisco born producer/engineer/mixer/musician Eric Robinson's welcome to the music industry came via a response to an email written to the legendary Grammy-winning producer Steve Lillywhite. Eric never knew that his brief letter would land him an internship at Phish's recording studio in Vermont and would be the catalyst for his entire career. Following this unique experience, Eric returned to the left coast and set up working in several Los Angeles recording studios.

Eric is a unique hybrid who is equally adept at working on the sonic aspect of a record as well as playing several instruments. Working out of Galt Line Music in Los Angeles with studio co-owner, producer Marshall Altman, Eric finds himself in an amazing place today. On any given day, Eric is playing on records for Leona Lewis, Matt Nathanson, and Kate Voegele, producing Justin Young, Hayley Taylor and Matt Monaghan, going on the road as a guitarist/keyboardist with Sara Bareilles, William Fitzsimmons, Cary Brothers, Jessie Baylin and Erin McCarley or mixing albums for artists such as Caitlin Crosby's "Flawz", Trevor Hall's eponymous album and Bethany Dillon's "Stop and Listen".

What supersedes Eric's God-given talent is his true ability to reach deep inside an artist, bring out the absolute best in a vocal or instrumental (or both) 'take' and commit that performance. He is beyond his years in understanding what it really takes to deliver a great track, and, in turn, a great album.

Currently, Eric just mixed the forthcoming Aqualung album (Verve). He's just finished mixing a song for the movie "Dear John" featuring actress Amanda Seyfried and he just mixed Kimberly Caldwell's debut (Vanguard/Capitol).d

Eric is about to go in the studio with Natasha Bedingfield.